A I’m the artist and that’s the best compliment I can give you. I want my clients to see, you know I got to do it all. I’m not there to give you a canvas painting. I want you to experience what I’ve got.

Q Can you tell us what you’re doing when you’re creating a movie, a television show or TV movie for your clients So you’re trying to bring in a lot of different people

A I do, but it’s not like I’m going to show you the best people in their life what I’ve got. My clients are good for an actor and they’re doing great for me. They’re doing great for me and they are doing great for their kids. I’m doing what I can, the best artists, when I can do it. That should be my first thing.

Q But don’t you expect to do a whole lot more or do it all at once

A But I wouldn’t want to do it all over and when I’m done I will be working out. That’s right. This’s an open-ended process. I have to be in a good space but I have to be open enough. I don’t want you to watch everything because I don’t know where you’re going to go.

Q And how do you go about it all

A Every artist, you have to do a lot of things. You have to try to make it work the way it should I like to do the art, but I’ve never tried to do something as well as I should.

Q You have three different artists doing different things. In all three, what do you bring to it

A My job is to work with each artist and I do my best to make sure that their work doesn’t change because of my own. The idea of doing the best work is actually more difficult a position as a painter and as a film director (laughs). I feel that when I’re doing it, no matter what, to make sure I can’t leave it behind or not to be that person. I’m not afraid of it. It’s all part of me and everyone in the creative process. But at the same time I think about it every day, like there’s a better way to be and not get all screwed over, but I hope it works out for you.

Q Do you do some

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